Works with site-specific installations, using urban materials and everyday objects as a way to reread space.
The collective emerged from meetings between artists and cultural workers who felt the need for a shared space: to experiment, discuss, and archive processes — not only finished works.
You can adjust the text below into Kultura Collectiva’s own language — this is only a sample structure.
We are interested in how the city shapes memory, and how that memory returns in the form of images, sounds, texts, and gestures. Kultura Collectiva does not only occupy white cube galleries, but also corridors, alleys, yards, and meeting spaces that are often considered ordinary.
Our practice moves between three gestures: recording (seeing and listening), processing (editing, arranging, presenting), and responding (inviting new conversations). Projects tend to be born at the intersection of these gestures.
Replace the names, roles, and media according to the actual structure of your collective.
Works with site-specific installations, using urban materials and everyday objects as a way to reread space.
Develops documentary photography and visual archives attached to community life and collective practices.
Works with field recordings, sound, and performance as a way to read the atmosphere and rhythm of the city.
Shapes the visual identity of projects, posters, and publications so that works and their context are legible to wider publics.
Writes curatorial texts, process notes, and short essays that link the works to their social contexts.